- Garrard zero 100 auto problem how to#
- Garrard zero 100 auto problem upgrade#
- Garrard zero 100 auto problem free#
From there you then slide the weight to the desired tracking weight. (of course, all of this is predicated on the chassis being level first). Not exactly sure what you meant by not getting the sliding weight to zero - is something binding it before you can slide it all the way there? The balancing process is to slide the weight adjuster to zero - or as close as you can, I guess - and then adjust the counterweight on the end of the arm until the tonearm with cartridge is just barely floating above the tonearm rest. The link you looked at was for the original V15 from 1965 - the IV version you have is from the mid to later 70s and was designed to track more in the 1-1.5g range, IIRC. On the cartridge: 3 grams is way too high - I was noticing in your pic that the cartridge looked like it was riding pretty low, especially considering the brush's 'assistance' in pushing off the record. Right now I've got my Garrard installed out in my garage/shop system and am using it for the first play of my SA and GW store record finds.Īnother Zero 100 fan here.not a bad table, IMHO. That old grease is like glue, but once its gone and the mechanism relubed, it functions like new. Getting that old grease cleaned out completely is a bitch! I can see why mine wasn't working at all when I pulled it out of storage. Like I mentioned in my earlier posting, mine still needs some additional attention. But I too had to fiddle around quite a bit to get it to track at about 1.8 grams. My Garrard is now sounding the best it ever has. When I got out my old SL-72b and cleaned it up, I changed out my old ADC cartridge for an Acutex I had in my delicate parts box. Was that the recommended tracking weight given in the Garrard manual? I would think that 2.0 grams or so would be about as high as you would want to go, but I really don't know what is optimum for your Pickering cartridge. That tracking weight of 3.0 grams sounds pretty high to me as well.
(I have a Zero 100 and I'm fixing it up, even though I own better tables it's a beautiful and historic machine that, while far from perfect, is still worth a little appreciation. Reading about other models like the Duals and Thorens and other Garrard models will teach you much that you can transfer and apply to your Garrard. If you are determined to fix up your Zero 100 yourself, read up on turntable restoration.
Garrard zero 100 auto problem how to#
Learn about turntable set up, so you know how to make sure your stylus (the "needle") is properly aligned in the groove as it tracks.
Garrard zero 100 auto problem free#
Learn about the ways to clean records, because getting the gunk out of the grooves is THE KEY to getting records that are free from that distracting snap, crackle and pop noise. I'd suggest you read up for a while in the archives here (and elsewhere online). In such case, either sell the Garrard or put it aside until such future date as you feel ready to restore it. IF you are looking for a trouble-free experience from day one with a great sound, then perhaps you'd be better off looking for something a bit simpler, less complex, or at least more trouble-free. However, since you are new to all this, that advice may be "easier said than done", and an expert overhaul of a turntable like the Zero 100 might be costlier than it is worth. and you'll have a decent turntable to begin with, or even to stay with.
Garrard zero 100 auto problem upgrade#
Despite what people say, those were quite good bearings when new, and if yours are in good shape, should still be.Īssuming it passes that test, get it fixed up: clean and lube the platter bearing and the mechanisms underneath, consider putting it in a better plinth, upgrade the cables and power cord, etc.
As long as the arm is "floating" smoothly without any excess "play" in the arm structure, you should be okay. The first thing you need to make sure of is that the tonearm bearings haven't been abused if they are too loose, you'll never get remotely audiophile sound out of your turntable. The criticism it gets today is probably undeservedly harsh. Even many critics agree that the concepts behind it were largely sound ones (pun intended ), and the weaknesses it has are those of execution, not intent. It incorporates many ingenious and well-thought-out innovations, and was a sought after "audiophile" deck in its day, that subsequently fell out of repute for various reasons, as some weaknesses were discovered. Originally, it sold for almost as much as the top tables of the day, and it won many awards. Your Garrard Zero 100 is not the best turntable out there, but it also isn't as bad as some people make it out to be. And welcome back to the world of vinyl, too!
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